You don’t have to agree with it, but don’t hinder what a woman wishes to do with her body.
I personally don’t react well to an oral contraceptive of any kind, arm implants freak me out, and IUDs tend to give me cysts. Then there’s that little problem where the doctors aknowledge I have an ovarian condition on top of possible lupus, but refuse to do any sort of testing because my bleeding is light and lasts only a few days. (But cramps and pelvic pain so bad I’m vomiting is normal? Having pain when it’s not my period? Mmm okay 👌)
When we stop asking questions, we continue the stigma against it. Will I someday get my tubes tied or even a full hysterectomy? Absolutely. Women who ask about permanent sterilization understand the risks. Don’t tell her she’s too young or needs to wait “because her husband might want kids.”
“I’ll remember” is the ADHD demon talking. You won’t remember. Write it down.
bold of you to assume i’ll remember where i wrote it, or even that i wrote it
Visual exhaustion is another symptom of ADHD, which means that if we see something enough times (or we see enough instances of something), it fades into background noise and we fail to notice it.
This is why a lot of ADHD people can stand living surrounded by mess/clutter, because it’s just visual background noise to us. We don’t even notice it anymore.
So if we write something down and see the note stuck up somewhere a lot – or if we write a LOT of somethings down and have a lot of notes hanging around – then we’re even less likely to think of/remember the thing because it’s just part of the scenery now.
ADHD is the Catch-22 of brains.
A very good thing to know about ADHD. Don’t fall into the trap.
A lot of folks in the comments are talking about writing on themselves or setting phone/calendar reminders. Your mileage may vary on those. You may also want to consider ways to set a habit of referring back to a planner or similar every day/hour.
it’s also because Leonard COHEN (!) was Jewish and this is a quintessentially Jewish line, and changing it to that level of Annoying Certainty is stripping it of its Jewish meaning and imbuing it with that particularly American smug evangelical Christian attitude that makes me tired, so very tired
THAT IS EXACTLY WHY
I don’t think I’ve heard any cover artist sing my favorite verses
You say I took the name in vain
I don’t even know the name
But if I did, well really, what’s it to you?
There’s a blaze of light
In every word
It doesn’t matter which you heard
The holy or the broken Hallelujah
I did my best, it wasn’t much
I couldn’t feel, so I tried to touch
I’ve told the truth, I didn’t come to fool you
And even though
It all went wrong
I’ll stand before the Lord of Song
With nothing on my tongue but Hallelujah
um woah
I will always hit the reblog button so hard for Hallelujah but ESPECIALLY mentions of the elusive final verses which are just about my favorite lyrics ever. Why do people always omit the best part of the song??
In Yiddish
In Hebrew
In Ladino
Yeah, I wonder why the verses that reference specific Jewish mystical and chassidic concepts that aren’t readily understood by American “I love Jews, you know, Jesus was Jewish!” Christians never get any airtime. Funny that.
You say I took the name in vain I don’t even know the name But if I did, well really, what’s it to you? There’s a blaze of light In every word It doesn’t matter which you heard The holy or the broken Hallelujah
These are specifically about Chassidic Jewish theories of the holy language, how each letter and combination of letters in Hebrew contains the essence of the divine spark and if used correctly, can unlock or uncover the divine spark in the mundane material word. And of course, there are secret names of God which, when spoken by any ordinary human would kill them, but if you are worthy and holy and righteous can be used to perform miracles or even to behold the glory of God face-to-face. The words themselves have power. Orthodox Jews often won’t even pronounce the word “hallelujah” in it’s entirety in conversation, because the “yah” sound at the end is a True Name of God (there are hundreds, supposedly) and thus too holy to say outside of prayer.
None of this is to mention how David’s sin in sleeping with Batshevah (the subject of much of the song, with a brief deviation to Shimshon and Delilah) is considered the turning point in the Tanach that ultimately dooms the Davidic line at the cosmological level and thus dooms Jewish sovereignty and independence altogether. From a Christian perspective this led to Jesus, the King of Kings, and that’s all very well and good for them, but for the Jews, the Davidic line never returned and is the central tragedy of the total arc of the Torah. Like, our Bible doesn’t have a happy ending? And that’s what this song is about? There’s no Grace – you just have to sit with the sin and its consequence.
Of course, Cohen is referencing all of this ironically, and personalizing these very high-level religious concepts. Like the point of this song is that Cohen, the songwriter, is identifying with David, the psalmist, and identifying his own sins with David’s. The ache that you hear in this song is that the two thousand year exile that resulted from one wrong night of passion and Cohen feels that the pain he has caused to his lover is of equally monumental infamy. Basically, in a certain light, the whole of Psalms is a vain effort for David to atone for his sin and I think Cohen was writing this song in wonderment that David could eternally praise the God who would not forgive him and would force him and his people into exile. But he ultimately gets how you have to surrender to the inexorable force of God in the face of your own inadequacies and how to surrender is to worship and to worship is to praise – hence, Hallelujah. You can either do the right thing and worship God from the start, or you can fuck up, be punished, and thus be forced to beg for His forgiveness. It’s the terrible inevitability of praise that’s driving him mad.
Like honestly, I identify with this song so strongly as an off-the-derech Jew, I sometimes wonder what Christians can possibly hear in this song, as it speaks so specifically to the sadomasochistic relationship that a lapsed Jew has with their God. It’s such a different song from a Christian theological perspective it’s almost unrecognizable, man. This song continues to be a wonder of postmodern Jewish theology and sexuality from start to finish. Don’t let anyone give you any “Judeo-Christian” narishkeit. This is a Jewish song.
(Sorry about the wild tangent it’s just 2AM and I love this song so dang much, you guys.)
holy shit. woah.
This.
That last bit from @stoneandbloodandwater, that’s a great articulation of the well of feeling, memory, storytelling, and culture packed into one of the most Jewish songs ever to get real famous. The song is both surrender and defiance, and that those are actually a single path together, not two opposite choices.
You kiddos have no idea how groundbreaking this was. Like there’s a reason THE lesbian website for a billion years was called After Ellen. She changed everything.
oh man you know that feeling that’s like kind of an ache right between your heart and your stomach? like nostalgic knowing of pain? that’s how the scared look in Ellen’s eyes makes me feel.
Look at her hand too and how nervous she is. Every gay and lesbian person knows this feeling, because we know there are assumptions and consequences and there’s no telling how someone will react.
And let no one forget that she suffered consequences for this. It wasn’t just a moment of cathartic unburdening and then business as usual.
Right, she lost her first TV show. She worked hard to get up to where she is today.
You can see the moment where she’s like “I can’t just like and make up a name. I can’t just pretend that the person I felt a deep connection with doesn’t exist.”
my-many-muse-rp-blog 